Dance Hall Crashers at Warped in 1996.
The performance artist EJ Hill at the Hammer Museum in Los Angeles. He appears at the Hammer, six days a week, standing on a podium like a gold medal winner.
From left, Clive Owen and Frederick Weller in “The Knick.”
During the nine years Dashboard Confessional singer and songwriter Chris Carrabba took a break from the band, emo experienced a resurgence.
Kanye West in his reflective interview with Charlamagne Tha God, left, and in his more inflammatory appearance on “TMZ.”
Bill Cosby leaves after the closing arguments in the retrial of his sexual assault case at the Montgomery County Courthouse in Norristown, Pa.
Left, Childe Hassam’s “United States Poppies, Isles of Shoals” (1891). Right, Celia Thaxter’s garden today on Appledore Island, Me., the largest of the Isles of Shoals.
Pharrell Williams, Chad Hugo and Shae Haley of N.E.R.D are returning with a jagged album filled with outrage.
The New York Philharmonic is the only major American orchestra that does not allow female players to wear pants for formal evening concerts.
Ken Lerner, left, and T.J. Miller in “Silicon Valley.”
Dane Johansen hiked the Camino de Santiago in northern Spain while playing Bach’s suites for solo cello in churches along the way.
The Los Angeles-based sculptor Charles Ray at a pub in Walden, N.Y. Mr. Ray was visiting the foundry where his piece, “Mountain Lion Attacking a Dog,” was being completed for a show at Matthew Marks Gallery.
William H. Johnson’s “John Brown Legend,” circa 1945, makes the abolitionist its central image and shows him coming down from a cross and being greeted by a mother and her child. This rarely exhibited work is part of “Outliers and American Vanguard Art,” at the National Gallery.
Spotify is walking back a policy on “hateful conduct” that initially applied only to two artists, including R. Kelly.
“Self-Portrait 1st Time on Oxy, Berlin, 2014.”
“Kate’s Canteen,” an installation by Patrick Will and Caspar Wülfing, was among the works of more than 150 contemporary artists showcased at the exhibition “Ngorongoro II” in Berlin.
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